Enjoy Me or Leave Me (Blu-ray)

Enjoy Me or Leave Me is a semi-biographical musical drama about the rise of productive singer Ruth Etting, who went from becoming a unknown performer, to a successful dancer, to a movie star. Nominated for 6 Academy Awards (including Very best Actor – James Cagney), Enjoy Me Or Leave Me won the Academy Award for Ideal Writing: Motion Image Story. The film is made by Joe Pasternak (Anchors Away, Please Don’t Consume the Daisies). It is directed by Charles Vidor (Gilda).

Ruth Etting (Doris Day) was a talented musician who wasn’t properly recognized at the start off of her profession. Ruth met and later married Martin Snyder (James Cagney), a gangster known as Moe “The Gimp” and who oversaw her career as her manager. Enjoy Me or Leave Me is a musical drama focused upon their tumultuous connection and the problems that arose in between their marriage more than the course of Etting’s increasingly prosperous career.

The film is recognized as a departure for lead actress Doris Day. Day, who was a beloved Hollywood favorite, was identified for sunny and lighthearted roles in musical entertainment. She was not the sort of actress related with dramatic roles. The film was a departure for her because of the dark undertones of the story. (Though, the musical aspects are usually just as entertaining as anything else Day did during her career).

Martin Snyder is an unlikeable, despicable, and deplorable character. James Cagney does a commendable job of taking the character down a dark path. There really is not something sunny about Snyder, who is obsessive over Ruth (each in his personal connection to her and in his managing of her career), and his cold-hearted demeanor towards every thing he touches. He’s somebody self-absorbed who only cares about what his names implies in the company.

The film is peppered with a number of classic tunes from yesteryear:  musical favorites that had been beloved by Hollywood. The performances are undeniably 1 of the most properly-accomplished elements of the film. Doris Day is excellent here and she impresses with her great singing and dancing.

The production design was impressive also. The good quality of the sets and stages utilized for the dance numbers was normally solid. The perform by the production team was commendable and helped serve the musical-aspect of the filmmaking.

The costumes had been designed by Helen Rose (Higher Society, The Final Time I Saw Paris). Day, specifically, is given a vast array of costumes to put on throughout the production. There are numerous distinct outfits for the different performances in the film. These are surely good costumes by Rose and they fit the style of the production nicely.  

The cinematography is by Arthur E. Arling (Pillow Speak, Lover Come Back). This is 1 of the greatest aspects of the film’s technical aesthetic. This is a gorgeous looking film: there’s a nice array of colors throughout. The film looks really impressive stylistically and significantly of this is because of Arling’s cinematography.

The story for the film was designed by Daniel Fuchs. The screenplay was written by Daniel Fuchs (Panic in the Streets) and Isobel Lennart (Funny Girl). The pair did an impressive job collectively. Adore Me or Leave Me is definitely noteworthy for its departure from the Hollywood norm. It really is darker and grittier than several musicals of the era. It is special.

However, Really like Me or Leave Me is not as significantly fun as other musicals from the era, either. The film may stand out as some thing special in this era of musicals (and it really is certainly a effectively-created effort on most levels). Yet the film’s focus on such an unlikeable lead in Cagney’s Martin Snyder isn’t thrilling: it really is downright dour.

The path by Charles Vidor (Gilda, Cover Girl) is practically nothing to be excited more than either. Vidor tends to make Adore Me or Leave Me a film focused on the frustrated drama between the leads: it really is less about showy dance-numbers than the melodrama among Day and Cagney. Even though some may well feel the film is a much more impressive drama for it… ultimately, it just makes Adore Me or Leave Me seem like a significantly less entertaining musical. It really is a drama with song and dance (and not the other way around).

The Blu-ray:


Love Me or Leave Me is presented on Blu-ray with an impressive 1080p MPEG-4 AVC encoded presentation in the original theatrical aspect ratio of two.55:1 widescreen. This is a remarkably impressive presentation. The colors impress, the film appears naturally filmic, and the cinematography shines. The presentation also boasts a fantastic 35 mbps encode.


Enjoy Me or Leave Me is presented in lossless 24 bit DTS-HD Master Audio five. surround sound. The audio is excellent throughout. This is a top quality soundstage for the musical. The dialogue is usually clean, clear, and effortless to comprehend. The music sounds terrific and has excellent fidelity for the era.

Subtitles are presented in English SDH (for the deaf and hard of hearing).


A Contemporary Cinderella (HD, 17 min.) andRoseland  (HD, 12 min.) are musical short films starring  Ruth Etting. The films have not been restored for these presentations but are still notably in HD.

A Salute to the Theaters  (HD, 17 min.), is a theater-reel of upcoming film productions by MGM Studios. It’s an particularly fascinating additional. It’s vastly distinct than today’s modern day theatrical trailers and it showcases the various ways in which film’s have been promoted in the course of the time period.

Theatrical Trailer (HD)

Final Thoughts:

Really like Me or Leave Me is definitely a unique musical of the era: though there are a lot of songs, it is significantly less focused on the music and it’s a lot more focused on the dramatics among Doris Day and James Cagney. Even though the film boasts impressive performances (especially by Day), top quality production aesthetics, and impressive musical numbers, Really like Me Or Leave Me somehow manages to be much less entertaining than one particular may anticipate.

It really is worth seeing for the musical numbers but it really is not an specially “entertaining” musical. It’s a dark drama about a troubled connection. Although it is tough to deny the superb craftsmanship on display, Love Me or Leave Me left me feeling cold.   

Rent It.

Neil Lumbard is a lifelong fan of cinema, and a student who aspires to make motion pictures. He loves writing, and at the moment does in Texas.

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Blu-Ray Reviews

Dr. Strangelove, Or: How I Discovered to Cease Worrying and Enjoy the Bomb (Blu-ray) Criterion Collection

Judge Patrick Naugle will never ever quit worrying. Ever.

Stanley Kubrick was at one time the bane of my existence. Fifteen years ago, I wrote a assessment for Warner Bros. common def DVD release of 2001: A Space Odyssey that was, oh, let’s say much less than favorable. In reality, it was downright scathing. Although I acknowledged the film’s influence on future cinema, I noted that it was at ideal dated and at worst sluggish and boring. A decade and a half later, I stand by my judgment in that assessment. Nonetheless, I had so several unfavorable responses they virtually clogged up my inbox.

The excellent news is I won’t get hate mail for my assessment of Kubrick’s 1964 classic Dr. Strangelove, Or: How I Discovered to Cease Worrying and Adore the Bomb because this is, hands down, my preferred Kubrick film. Even though I haven’t been an enormous fan of Kubrick’s function in the previous (which consists of A Clockwork Orange and Spartacus), this is both subversive and wacky, a really fantastic film filled with some absolutely remarkable performances and a message that gets far more timely as the years go on.

Satirizing the Cold War among American the USSR, Dr. Strangelove issues Basic Jack D. Ripper (Sterling Hayden, The Asphalt Jungle), a military specialist who has exceeded his authority and sent bombers into Russia with nuclear weapons. This does not sit well with the President of the United States, Merkin Muffley (Peter Sellers, Being There), who wants to know if the attack can be recalled. Common Buck Turgidson (Goerge C. Scott, Patton) advises the President to let the attack go on as planned, though Russia informs the President that they have a Doomsday device ready to detonate need to the U.S. attack. Surrounded by military consultants, generals, and a wild-eyed wheelchair bound former Nazi turned scientist named Dr. Strangelove (also Sellers), the President must make some hard choices from the fabled “war area.”

Kubrick’s subverse sense of humor is on complete show in Dr. Strangelove, a film that is hard to categorize whilst it really is most definitely a comedy, it is also a war image and—at times—even a bit of a drama. Kubrick’s film is also meant to be a scathing satire of war and the government and its leaders (as evidenced by Seller’s often silly portrayal of 3 various characters). I’d even go so far as to say that Dr. Strangelove is a daring movie that “offers it to the man”, so to speak. Although it can be a bit heavy handed at instances, the film’s literal and often allegorical ideas by no means distract from the film’s amusing performances.

And what performances there are in Dr. Strangelove! First, praise have to be provided to Peter Sellers playing three quite distinct and extremely different characters. Sellers’ work here was deserving of an Oscar playing a bald, bespectacled President of the United States, a mild mannered English army captain, and a crazed wheelchair bound Nazi should take some kind of raw talent. Sellers does the close to-not possible by creating us think that each of these characters has a life of their own. Even though all three of the characters are very amusing, Sellers’ Dr. Strangelove steals the show with his crackling, maniacal personality—Strangelove is just unpredictable adequate that you don’t often know if he’s on our side or the enemy’s side. Seller’s offers a efficiency that genuinely shows off the master thespian’s legendary comedic chops.

The supporting cast is stellar, which includes Sterling Hadyen as the gruff Brigadier General who chews on cigars as heartily as he chews the scenery (typically reminding me of Robert Stack’s character in Airplane!). In a smaller part originally developed for Sellers as effectively is Slim Pickins (Beyond the Poseidon Adventure) who rides into cinema history on the renowned last shot of the actor riding a giant A-bomb, rodeo-style, to its final location (all even though twirling his hat over his head). Lastly there is the wondrous George C. Scott as the awesomely named Air Force Basic Buck Turgidson, whose overall performance is so pitch perfect is nearly boggles the mind. Scott is robust, angry, zany, and just plain hysterical as the womanizing leader. Rumor has is that for the duration of the film’s shoot Scott wanted to play his character much more simple. Kubrick told Scott that he’d like to shoot it both methods, and wouldn’t use the crazier requires. Kubrick lied (which infuriated Scott), but the director’s instincts were right on the funds for Scott’s character.

What tends to make Dr. Strangelove a classic is how much is resonates with today’s events. The film is prophetic when it shows arguing generals trying to decide what and who to bomb the film also includes one particular of the funniest pieces of comedic dialogue ever committed to film: “Gentlemen, you can’t fight in here—this is the war room!”). From Sellers and Scott’s performances to the snappy dialogue and gorgeous staged black and white cinematography by Gilbert Taylor (Star Wars), every little thing about this performs and operates splendidly. I am positive it won’t come as significantly of a surprise when I say the film comes hugely recommended.

Dr. Strangelove, Or: How I Learned to Stop Worrying and Love the Bomb (Blu-ray) Criterion Collection is ultimately presented in the film’s original aspect ratio of 1.66:1 widescreen in 1080p higher definition. This black and white transfer appears exceptional, restored by way of a 4K transfer. Criterion delivers up not only the correct aspect ratio (the preceding edition was 1.85:1) but also a sharper, clearer image than the earlier Sony Blu-ray release. The print features a crystal clear image with out any major defects or imperfections. The soundtrack is presented in DTS-HD Master Audio 1. Mono in English. This audio mix is a great reproduction of the original soundtrack for the film. Even though the bulk of the track is entirely front heavy, the dialogue, effects, and Laurie Johnson’s (First Men in the Moon) film score are all clearly recorded and effortlessly distinguishable. Also included on this disc are English subtitles.

Bonus characteristics include new interviews with Stanley Kubrick scholars Mick Broderic and Ronney Hill, archivist Richard Daniels, cinematographer and camera innovator Joe Dunton, Camera Operator Kelvin Pike, and David George (son of Peter George, whose novel the film is loosely primarily based on), excerpts from a 1966 audio interview with Kubrick, four short documentaries “About the Making of the Film”, “The Sociopolitical Climate of the Period”, “The Perform of Actor Peter Sellers”, “The Artistry of Kubrick”), a few interviews from 1963 with Peter Sellers and George C. Scott, an excerpt from a 1980 interview with Peter Sellers from NBC’s The Nowadays Show, theatrical trailers for the film, and an essay by scholar David Bromwich.

Dr. Strangelove is arguably Stanley Kubrick’s greatest film, and his most accessible. Sellers and Scott give exceptional performances and the film itself is endlessly amusing. This is Kubrick at the prime of his game. Fans of the film will undoubtedly want to replace their prior Blu-ray for this newly minted release.

DVD Verdict

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